open call !


OPEN CALL!

OPEN CALL!

METHOD Gallery is excited to announce an open call is to select artists for 6-8 week long exhibitions during our 2026 and 2027 seasons. METHOD Gallery is committed to providing a platform for diverse voices and fostering a thriving arts community.

We’re looking for artists either who work primarily in installation or who are excited to translate their current practice into installation.  Strong proposals will clearly communicate how the artist will transform METHOD Gallery, creating for audiences new ideas of what artistic expression and gallery experiences can hold.  METHOD seeks to provide a platform for work that embraces process, material, and concept while activating the gallery space.

METHOD Gallery is excited to announce an open call is to select artists for 6-8 week long exhibitions during our 2026 and 2027 seasons. METHOD Gallery is committed to providing a platform for diverse voices and fostering a thriving arts community.

We’re looking for artists either who work primarily in installation or who are excited to translate their current practice into installation.  Strong proposals will clearly communicate how the artist will transform METHOD Gallery, creating for audiences new ideas of what artistic expression and gallery experiences can hold.  METHOD seeks to provide a platform for work that embraces process, material, and concept while activating the gallery space.

METHOD Gallery is excited to announce an open call is to select artists for 6-8 week long exhibitions during our 2026 and 2027 seasons. METHOD Gallery is committed to providing a platform for diverse voices and fostering a thriving arts community.

We’re looking for artists either who work primarily in installation or who are excited to translate their current practice into installation.  Strong proposals will clearly communicate how the artist will transform METHOD Gallery, creating for audiences new ideas of what artistic expression and gallery experiences can hold.  METHOD seeks to provide a platform for work that embraces process, material, and concept while activating the gallery space.

01

Selected Artists Will Receive


  • A 6-8 week long exhibition at METHOD, to coincide with at least one first Thursday art walk 

  • Grant-writing support + $500 stipend 

  • One activation, reception, or performance of the artist’s choosing 

  • Recorded and live streamed artist talk, facilitated by someone of the artist’s choosing 

  • Promotion of the exhibition on METHOD’s instagram and via our newsletter 

  • After exhibiting with us, we offer continued promotion of the artist’s future work via METHOD’s newsletter if you let us know what you’re up to!

01

Selected Artists Will Receive


  • A 6-8 week long exhibition at METHOD, to coincide with at least one first Thursday art walk 

  • Grant-writing support + $500 stipend 

  • One activation, reception, or performance of the artist’s choosing 

  • Recorded and live streamed artist talk, facilitated by someone of the artist’s choosing 

  • Promotion of the exhibition on METHOD’s instagram and via our newsletter 

  • After exhibiting with us, we offer continued promotion of the artist’s future work via METHOD’s newsletter if you let us know what you’re up to!

01

Selected Artists Will Receive


  • A 6-8 week long exhibition at METHOD, to coincide with at least one first Thursday art walk 

  • Grant-writing support + $500 stipend 

  • One activation, reception, or performance of the artist’s choosing 

  • Recorded and live streamed artist talk, facilitated by someone of the artist’s choosing 

  • Promotion of the exhibition on METHOD’s instagram and via our newsletter 

  • After exhibiting with us, we offer continued promotion of the artist’s future work via METHOD’s newsletter if you let us know what you’re up to!

02

Requirements

METHOD shows immersive, site-specific installation with the aim of transforming the gallery space.  Proposed work may include any media. Given the large windows and mainly daytime hours of the gallery, projections are difficult for much of the year, and we prefer not to cover the windows.  As we’re volunteer run, the installation also cannot have complicated setup that needs to be done for each open time, please keep in mind that anything more complicated than essentially pushing an “on” button will need to be handled by the artist each time the gallery is open (Saturday afternoons 12-4pm, and first Thursdays 5-8pm). 

While not required, we prioritize original work created specifically for our space.

02

Requirements

METHOD shows immersive, site-specific installation with the aim of transforming the gallery space.  Proposed work may include any media. Given the large windows and mainly daytime hours of the gallery, projections are difficult for much of the year, and we prefer not to cover the windows.  As we’re volunteer run, the installation also cannot have complicated setup that needs to be done for each open time, please keep in mind that anything more complicated than essentially pushing an “on” button will need to be handled by the artist each time the gallery is open (Saturday afternoons 12-4pm, and first Thursdays 5-8pm). 

While not required, we prioritize original work created specifically for our space.

02

Requirements

METHOD shows immersive, site-specific installation with the aim of transforming the gallery space.  Proposed work may include any media. Given the large windows and mainly daytime hours of the gallery, projections are difficult for much of the year, and we prefer not to cover the windows.  As we’re volunteer run, the installation also cannot have complicated setup that needs to be done for each open time, please keep in mind that anything more complicated than essentially pushing an “on” button will need to be handled by the artist each time the gallery is open (Saturday afternoons 12-4pm, and first Thursdays 5-8pm). 

While not required, we prioritize original work created specifically for our space.

03

Eligibility

Proposed work can include any media, strong proposals will convey a cohesive, immersive installation 

  • You may apply as a solo artist or group of artists, with up to 5 members applying together in a group. If applying as a group, please make one submission and designate one point person for communications. 

  • Must be available to install and de-install your work at METHOD in Seattle 

  • Work should be original, with all rights owned by the artist(s). Work must be appropriate for viewing by an audience of all ages. 

03

Eligibility

Proposed work can include any media, strong proposals will convey a cohesive, immersive installation 

  • You may apply as a solo artist or group of artists, with up to 5 members applying together in a group. If applying as a group, please make one submission and designate one point person for communications. 

  • Must be available to install and de-install your work at METHOD in Seattle 

  • Work should be original, with all rights owned by the artist(s). Work must be appropriate for viewing by an audience of all ages. 

03

Eligibility

Proposed work can include any media, strong proposals will convey a cohesive, immersive installation 

  • You may apply as a solo artist or group of artists, with up to 5 members applying together in a group. If applying as a group, please make one submission and designate one point person for communications. 

  • Must be available to install and de-install your work at METHOD in Seattle 

  • Work should be original, with all rights owned by the artist(s). Work must be appropriate for viewing by an audience of all ages. 

04

Submission guidelines

General info  

  • Name, address, contact info

  • Artist bio (max 1300 characters) 

  • CV, or list of previous exhibitions or experiences

  • Any preferences around exhibition dates (dates that won’t work, especially) 

  • Have you shown at METHOD or been affiliated with METHOD in the past? How so? 

  • Have you visited METHOD Gallery? 

Proposal info 

  • Written (max 2500 characters) or video description (max length 2 minutes) of the work you’re proposing. Strong proposals will cover: 

    • Themes/ideas being explored in the work 

    • What you propose to make, how it will 

    • Your plan for making it, what you will need (think broadly about resources and support) 

    • How it relates to your previous work 

    • How the installation will transform METHOD gallery

    • How the audience will experience your work 

  • METHOD gallery floor plan with illustration of work proposed

  • Images / video of previous relevant works

    • List collaborators and describe your specific contribution if relevant  

  • 2-4 additional sketches, images, etc. that communicate your vision 

  • Propose an activation (can be performance, lecture, panel, reception, fashion show, etc. by you and/or a collaborator). You do not have to have all of the details squared away, but be as specific as you can about the experience you’d like to create, who you’d like to collaborate with, and how it will enhance the exhibition.  (max 1300 characters)

Proposals that do not contain your bio, CV or list of previous exhibitions, description of your proposal, and a sketch using the METHOD floor plan will not be considered.

If you have questions about any of the items, please attend one of our info sessions, or email info@methodgallery.com

04

Submission guidelines

General info  

  • Name, address, contact info

  • Artist bio (max 1300 characters) 

  • CV, or list of previous exhibitions or experiences

  • Any preferences around exhibition dates (dates that won’t work, especially) 

  • Have you shown at METHOD or been affiliated with METHOD in the past? How so? 

  • Have you visited METHOD Gallery? 

Proposal info 

  • Written (max 2500 characters) or video description (max length 2 minutes) of the work you’re proposing. Strong proposals will cover: 

    • Themes/ideas being explored in the work 

    • What you propose to make, how it will 

    • Your plan for making it, what you will need (think broadly about resources and support) 

    • How it relates to your previous work 

    • How the installation will transform METHOD gallery

    • How the audience will experience your work 

  • METHOD gallery floor plan with illustration of work proposed

  • Images / video of previous relevant works

    • List collaborators and describe your specific contribution if relevant  

  • 2-4 additional sketches, images, etc. that communicate your vision 

  • Propose an activation (can be performance, lecture, panel, reception, fashion show, etc. by you and/or a collaborator). You do not have to have all of the details squared away, but be as specific as you can about the experience you’d like to create, who you’d like to collaborate with, and how it will enhance the exhibition.  (max 1300 characters)

Proposals that do not contain your bio, CV or list of previous exhibitions, description of your proposal, and a sketch using the METHOD floor plan will not be considered.

If you have questions about any of the items, please attend one of our info sessions, or email info@methodgallery.com

04

Submission guidelines

General info  

  • Name, address, contact info

  • Artist bio (max 1300 characters) 

  • CV, or list of previous exhibitions or experiences

  • Any preferences around exhibition dates (dates that won’t work, especially) 

  • Have you shown at METHOD or been affiliated with METHOD in the past? How so? 

  • Have you visited METHOD Gallery? 

Proposal info 

  • Written (max 2500 characters) or video description (max length 2 minutes) of the work you’re proposing. Strong proposals will cover: 

    • Themes/ideas being explored in the work 

    • What you propose to make, how it will 

    • Your plan for making it, what you will need (think broadly about resources and support) 

    • How it relates to your previous work 

    • How the installation will transform METHOD gallery

    • How the audience will experience your work 

  • METHOD gallery floor plan with illustration of work proposed

  • Images / video of previous relevant works

    • List collaborators and describe your specific contribution if relevant  

  • 2-4 additional sketches, images, etc. that communicate your vision 

  • Propose an activation (can be performance, lecture, panel, reception, fashion show, etc. by you and/or a collaborator). You do not have to have all of the details squared away, but be as specific as you can about the experience you’d like to create, who you’d like to collaborate with, and how it will enhance the exhibition.  (max 1300 characters)

Proposals that do not contain your bio, CV or list of previous exhibitions, description of your proposal, and a sketch using the METHOD floor plan will not be considered.

If you have questions about any of the items, please attend one of our info sessions, or email info@methodgallery.com

05

Successful Examples

Two alum artists have generously agreed to share their proposals for your review.  Both give the reviewer a clear idea of what the artist is proposing to make and why, and the supporting materials and work in progress images make it clear that the artist will be able to realize their vision in a professional and cohesive way. We’ve also included images of the resulting exhibition to highlight a key difference between the two proposals - the first resulted in an installation that matched the proposal almost exactly, while the second evolved between proposal and execution.  Both work!  The goal is to clearly articulate the experience you want to create for the audience, and inspire confidence that you can pull it off.

05

Successful Examples

Two alum artists have generously agreed to share their proposals for your review.  Both give the reviewer a clear idea of what the artist is proposing to make and why, and the supporting materials and work in progress images make it clear that the artist will be able to realize their vision in a professional and cohesive way. We’ve also included images of the resulting exhibition to highlight a key difference between the two proposals - the first resulted in an installation that matched the proposal almost exactly, while the second evolved between proposal and execution.  Both work!  The goal is to clearly articulate the experience you want to create for the audience, and inspire confidence that you can pull it off.

05

Successful Examples

Two alum artists have generously agreed to share their proposals for your review.  Both give the reviewer a clear idea of what the artist is proposing to make and why, and the supporting materials and work in progress images make it clear that the artist will be able to realize their vision in a professional and cohesive way. We’ve also included images of the resulting exhibition to highlight a key difference between the two proposals - the first resulted in an installation that matched the proposal almost exactly, while the second evolved between proposal and execution.  Both work!  The goal is to clearly articulate the experience you want to create for the audience, and inspire confidence that you can pull it off.

06

important dates


  • 2/15: Open call launch 

  • 2/22, 12pm: Virtual info session - will be recorded  

  • 3/23, 12pm: Info session, in person at METHOD 

  • 4/15, 11:59pm: Proposals due

  • 4/16 - 5/15: Initial review of submissions (jurors assign scores following an agreed upon rubric) 

  • 5/15 - 5/25: Virtual interviews with finalists 

    • Interviews will be recorded by the finalist, who will be given a list of questions to respond to 

    • If preferred, we can conduct some interviews via synchronous call 

  •  6/1: Announcement of selected artists

06

important dates


  • 2/15: Open call launch 

  • 2/22, 12pm: Virtual info session - will be recorded  

  • 3/23, 12pm: Info session, in person at METHOD 

  • 4/15, 11:59pm: Proposals due

  • 4/16 - 5/15: Initial review of submissions (jurors assign scores following an agreed upon rubric) 

  • 5/15 - 5/25: Virtual interviews with finalists 

    • Interviews will be recorded by the finalist, who will be given a list of questions to respond to 

    • If preferred, we can conduct some interviews via synchronous call 

  •  6/1: Announcement of selected artists

06

important dates


  • 2/15: Open call launch 

  • 2/22, 12pm: Virtual info session - will be recorded  

  • 3/23, 12pm: Info session, in person at METHOD 

  • 4/15, 11:59pm: Proposals due

  • 4/16 - 5/15: Initial review of submissions (jurors assign scores following an agreed upon rubric) 

  • 5/15 - 5/25: Virtual interviews with finalists 

    • Interviews will be recorded by the finalist, who will be given a list of questions to respond to 

    • If preferred, we can conduct some interviews via synchronous call 

  •  6/1: Announcement of selected artists

07

scoring rubric

  • Originality: how unique/innovative is the proposal? Are the materials and/or techniques used in new or experimental ways? 

  • Concept: how strong and well-articulated is the concept? 

  • Craftsmanship/aesthetic quality: what level of craftsmanship and polish is demonstrated in this proposal? To what degree do you believe this proposal demonstrates the artist’s ability to produce high quality work with high discernment?

  • Transformation of space: to what degree will the gallery space be transformed, and the audience immersed? 

  • Site specificity: is the work made originally for this space, or will it be shown in a configuration that is unique to this space 

  • Activation: is there a clear proposal for an activation that will enhance the experience of the work? Will it bring an audience, and a new audience to METHOD?

07

scoring rubric

  • Originality: how unique/innovative is the proposal? Are the materials and/or techniques used in new or experimental ways? 

  • Concept: how strong and well-articulated is the concept? 

  • Craftsmanship/aesthetic quality: what level of craftsmanship and polish is demonstrated in this proposal? To what degree do you believe this proposal demonstrates the artist’s ability to produce high quality work with high discernment?

  • Transformation of space: to what degree will the gallery space be transformed, and the audience immersed? 

  • Site specificity: is the work made originally for this space, or will it be shown in a configuration that is unique to this space 

  • Activation: is there a clear proposal for an activation that will enhance the experience of the work? Will it bring an audience, and a new audience to METHOD?

07

scoring rubric

  • Originality: how unique/innovative is the proposal? Are the materials and/or techniques used in new or experimental ways? 

  • Concept: how strong and well-articulated is the concept? 

  • Craftsmanship/aesthetic quality: what level of craftsmanship and polish is demonstrated in this proposal? To what degree do you believe this proposal demonstrates the artist’s ability to produce high quality work with high discernment?

  • Transformation of space: to what degree will the gallery space be transformed, and the audience immersed? 

  • Site specificity: is the work made originally for this space, or will it be shown in a configuration that is unique to this space 

  • Activation: is there a clear proposal for an activation that will enhance the experience of the work? Will it bring an audience, and a new audience to METHOD?

08

meet the jurors

Emeka Alams is a Nigerian-American artist, curator, and founder of the clothing label Gold Coast Trading Co. He launched the brand in 2008 to celebrate Africa’s diverse influence on global culture. Over the past 16 years, Alams has collaborated with artists such as M.I.A, Nas, Questlove, Coldplay, Major Lazer, and the estate of Fela Kuti. His work has been featured in publications like Vogue, Elle, and Dazed & Confused. Beyond fashion and graphic design, he has exhibited his personal artwork globally while serving as an advisor and curator for galleries and art institutions worldwide.

Carolyn Hitt is a mixed-media, multi-disciplined abstract expressionist with an emphasis on murals, fabrication, and installation work. As founder of Blue Cone Studios (est.2015) and Co-Founder of Forever Safe Spaces & On the Block Seattle, her creative work is directly linked to the social practice of seeking out, holding space, mentoring and supporting emerging artists from underserved communities. When she’s not building physical spaces for gathering/creating, she is busy establishing Channel OTB and its productions focused on storytelling, community, craft and connection. She’s appeared in the first issues of Public Display Art and Anti-Social Seattle, was featured on Seattle Channel’s Art Zone with Nancy Guppy and curates at least one exhibit yearly at Vermillion Art Gallery. You can find her on most social media platforms @cmehitt

Adelaide Blair is a project-based artist whose research-centered practice allows her to interact with and learn about the world. Her work involves publishing, printmaking, web design, needlework, drawing, writing, performance, and filmmaking. She is also interested in distributed intelligence and how people make art together, and many of her projects involve elements of collaboration or participation. Her subject matter has included ghosts, artificial intelligence, the Greek tragedy Philoctetes, reproductive terms used in printmaking, the Dirty War in Argentina, and networks of corruption in the contemporary art world. 

Kait Rhoads is a Seattle based glass and fiber artist who promotes ocean ecology with publicly sourced or generated art works; her public commissions include Salish Nettles at Point Defiance Zoo and Aquarium, Tacoma WA and Bloom at Highline College, Des Moines, WA. Her artwork is in the collection of the Carnegie Museum in Pittsburgh, PA, the Seattle Art Museum, the Tacoma Art Museum and other national and international museums.

Kamla Kakaria is a Seattle, WA based artist of East Indian descent. She has an MFA in Printmaking and a BFA in Painting. She has been the Board President of Seattle Print Arts and is currently Board Secretary of SGCI (International Printmaking Organization) and is on the Tukwila Arts Council. She uses Printmaking and Mixed Media in her Installation work. Her inspiration comes from her Indian background influenced by an appreciation of colors and patterns in the textiles in which she integrates into her work.

Ellen McGivern is a Queer Kansan who settled in Seattle in 2017. Before leaving the Great Plains, Ellen began her arts administration career at a craft based gallery in Tulsa, Oklahoma, 108|Contemporary. From there she became fascinated with physical and spiritual embodiment through/as creative practice, the rituals artists hold to continue to make, and the ways in which community can support our artistic labor force. Ellen completed her MFA in Art Lleadership, in 2017 where her research examined artist residency histories, artist rituals, and curation. Ellen has produced exhibitions and programming with Shunpike, Kirkland Arts Center, City of Kirkland Library, Lemieux Library-Seattle University, along with independent curators and artists. Most recently, she was Development Manager at On the Boards

Cole Devoy is a multi-disciplinary artist whose work explores the complex tapestry of human experience through a variety of mediums and styles. His creative work is in constant dialogue with evolving perspectives, always seeking new avenues for communication. He has been a METHOD volunteer since 2022, and currently serves as a creative and strategic consultant for individual artists and arts organizations. Born on the ancestral lands of the Squaxin and Nisqually people, now known as Olympia, and currently living and working on the ancestral land of the Duwamish (Seattle), Devoy's connection to place further informs his life and creative practice.